This is the first in what I hope will be a series of positive posts about things that are great. It seems like I should balance out all my ranting in some way, and this seems like a good way. This time out I want to talk about Courtney Crumrin and the Fire-Thief’s Tale. I read a lot of comics… Read more →
Category: Reviews
What I’m Reading Right Now
Sometimes people ask me what I’m reading right now. I usually pick something interesting that I’ve finished recently and talk about that. This is primarily because I am always loathe to commit much of an opinion to a work until I finish it–if it’s terrible enough that I don’t want to read it, I can comment on why I stopped,… Read more →
SF Authors (and editors) saying more smart things…
We’ll grab a couple of them today: Will Shetterly talking about Mormon underwear: Here’s one way to tell a faith from a racket: If it makes you think you’re better than everyone else, it’s a racket, not a faith. I kind of love that. It’s the answer to all the “One True Religion” and “Chose People of X” things that… Read more →
Keeping It Real
Seeing the review of Keeping It Real pop up on Strange Horizons yesterday reminded me that I wanted to say something about the book. Somehow I managed to avoid any notice that this book was forthcoming, despite my relatively recent interest in Robson, and was somewhat shocked to find out that it was already out (in the UK) before I… Read more →
Science Fiction Authors Say Smart Things: Sagan on TV
Over on his blog science fiction writer Nick Sagan (author of fun books Idlewild, Edenborn, and forthcoming Everfree) has a post about his favourite TV shows. Now, while all five shows he lists are good shows, his numbers 5, 4, 3, and 2 would not make my list of “all time best” shows. (How can you make a list of… Read more →
Carsten Knox: Informing The Nation
I have previously mentioned my freelance journalist pal Carsten Knox (who, in addition to being a journalist is also a charter member of the HGPA). Well, today Carsten spent some time on the CBC Radio program Freestyle educating the nation (or at least the CBC‘s national audience) about a couple of “indie” films that have just come to DVD. That’s… Read more →
Wow
I would like to write about last night’s movie night. However, I’m not sure I can. I’m still laughing when I think about it. Let’s just say this: “The act of death has caused another life to be reborn. Together we share the wonder of human existence, and let there be no doubt that all of us are brothers. There… Read more →
Keeping Track of Veronica Mars, S2
So, you’re wondering why I’m such a fan of Veronica Mars? I could go into the fabulous writing and acting, the excellent mystery plot, the way each episode of the first season was a subtle homage to certain mystery tropes, etc. However, instead of doing that I will just continue to recommend–as I have been doing for two seasons now–that… Read more →
Serenity
So, obviously, I enjoyed this movie.
I’m not going to go all Whedon fanboy on you, or anything, and write one of those “I want his babies” reviews I’ve been seeing around, but I will say that I thought the movie was great, and one of the better SF movies I’ve seen lately.
I don’t know how it would have played to someone who hadn’t seen Firefly, although it seems obvious that some of the moments (especially the deaths) would have had a much smaller impact on people who weren’t emotionally invested in the characters already. For those of us that had already spent quite a few hours with these characters, though, the movie was certainly rewarding.
I do enjoy Whedon’s humour, and there was a lot of that in the movie, both in terms of the directly funny stuff (“I could stand to hear more”, “I am a leaf”, etc.) but also in terms of the way he delighted in faking out the audience by feinting towards a cliche and then completely flipping it. The classic example here would be the “everyone ( but Kaylee) knows it’s a trap” bit.
I also quite enjoyed the way Whedon worked with the theme that people need something to believe in, and how he wove that into the idea of Mal’s personal moral/ethical vaccuum and his finding a bit of a compass versus the Operative going from a moral/ethical GPS to a non-entity. And, of course, the subtle hints that Book had been an Operative, lost his faith in the system and replaced it with Christianity…
When characters started dying, all of a sudden the stakes got turned up a notch–unlike a weekly TV series, there isn’t as much of a guarantee that characters will have to keep coming back in a feature, even one that people want to start a franchise. This was perfectly crafted in the final act, when the shocking death at the start of the scene means that we spend the entire final segement of the movie on the end of our seats, as it looks like EVERYONE is going to die… Extra bravo to Whedon for that.
(I keep saying Whedon, but the cast also deserves props. No one really gets a lot of screen time, but everyone was great within the space they had. Fillion, of course, stands out for his multi-layered portrayal of Mal, but both Baldwin and Glau should also get nods for their excellent comic ability. Summer’s “don’t be an idiot” face was perfect, and Jayne’s comments were always delivered optimally.)
I think there were a couple of failings, though. The invincible River scene is one–it would make it very hard for us to ever feel that River (or the crew, while they’re with her) is actually in jeopardy going forward. (I think the arrival of the guys with guns was meant to counteract that, to almost say “sure she can kill everyone if they are crazed hand-to-handers, but organized people with weapons that work at a distance could stop her”, but if that actually was the intention, it could have been executed a lot better.)
Also, as someone who watched the series, the failure to wrap up the “guys with blue hands” stuff, or the “Blue sun” stuff while theoretically doing the River story was a bit of a disappointment. I am told that this is addressed in the comic series that bridges Firefly to Serenity, so I guess I should reserve judgement until I see that.
Finally, two things I keep wondering about, that bother me a little:
1) While the Operative was unconscious from Inara’s flashbomb, why didn’t Mal just shoot him in the face?
2) When the Operative lost faith and had the guards stand down, and even helped with the rebuilding of Serenity, what the hell was the Parliament doing? Even if the Op said River had done her damage, why would they believe him–surely there are more than one possible dirty secret River could have picked up from the “key members” of Parliament?
So, the summary: Go see it.
Tom Wilson & Bob Lanois
I’ve been really enjoying Tom Wilson’s latest album, The Shack Recordings, and I’ve been a fan of Tom’s stuff back through all the Blackie and the Rodeo Kings stuff, through a couple of solo albums, and back into the Junkhouse days, so when I heard the tour for the new album was coming to Halifax, I knew I was going to go check it out.
If I were giving out stars just for the performance, this would be a 5 of 5 situation. Tom was great, Bob added some fun, and Russell (from Junkhouse) brought some more to the show. The songs were good, Tom’s stage persona was perfect, the stories were excellent (especially the bit about the guys in Oasis thinking they were better than Dylan).
However, there were two things really working against my ability to enjoy the show.
One was the venue. The Seahorse is actually a decent place to drink and have some basic bar-style fun, but… well, let me put it this way–the sound guy was also tending bar, and he was a better bartender than a sound guy. (And he wasn’t that good of a bartender–his Guinness pour was for shit). I moved around the room and the quality of the sound varied wildly. Ironically it was muddiest and shittiest right near the sound board. Made me think of Rob Szabo‘s old line about keeping the sound guy happy since he had his hand on the SUCK knob. You know things are bad when the band is cracking jokes–from the stage–about the fact that they can’t get the monitor levels changed, but they could probably get a drink.
The other was the audience. This is a standing complaint of mine in Halifax–people just won’t shut the hell up. I don’t think it’s malicious, it’s just that Maritimers are so friendly that they need to talk to their friends and be a part of things, and sometimes that means drinking a lot of beers and yelling over the band at each other. I don’t expect concert hall silence in a bar show, but I also don’t expect the band to have to have the PA cranked up several times so that they can’t hear the audience talking…
So, good album, with a good stage show, but ruined by a poor sound tech and my inability to enjoy shows when the audience is too damn loud.
So Yesterday
So, let’s talk for a little bit about Scott Westerfeld. I had been hearing his name for some time in regards to his Succession series (well, two books might not officially be a series, so we could just refer to them by title as The Risen Empire and The Killing of Worlds) which always came up in that Intelligent New… Read more →
Apparently I am allowed to openly like Waters-era Floyd now
There’s a nice piece at the Guardian about the history of perception of Pink Floyd, that glances off history and current projects of various band members. The key thing is that apparently I don’t have to be embarrassed about knowing all the words to The Final Cut anymore. There’s lots of nice quotes in it: “My big fight in Pink… Read more →
Pan’s people
And now, for something completely non-electoral: The Guardian is running what is nominally a review of the new Tartarus Books collection of Arthur Machen stories, but which is actually much more a history of Machen. If you’re into 19th century weird fiction, or you’ve heard of Machen’s “The Great God Pan” (or perhaps especially if you haven’t) you should check… Read more →
Loving The Alien
It shouldn’t come as a surprise to anyone who knows me that I bought the new Danny Michel album, Loving The Alien, the minute it came out. The entire album is Danny doing covers of David Bowie tune, and the short review is that they are all great–and very different from the Bowie versions. When I started seeing Danny’s live… Read more →